Theater Sets
Set in progress of "Small Mouth Sounds" at Artist's Repertory Theater | Director: Shawn Lee, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards scenic painting: wood finish | 2018
Set in progress of "Small Mouth Sounds" at Artist's Repertory Theater | Director: Shawn Lee, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards floor painting: concrete finish | 2018
"Small Mouth Sounds" close-up at Artist's Repertory Theater | Director: Shawn Lee, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards floor painting: wood finish, wall painting of the blue background | 2018
"Small Mouth Sounds" close-up at Artist's Repertory Theater | Director: Shawn Lee, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards scenic painting | 2018
Set in progress for "Humans" at Artist's Repertory Theater | Director: Dámaso Rodríguez, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards painting the floor | 2017
Set in progress for "Humans" at Artist's Repertory Theater | Director: Dámaso Rodríguez, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards painting the scrim, design blueprints laid on the floor | 2017
Set in progress for "Humans" at Artist's Repertory Theater | Director: Dámaso Rodríguez, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards priming the walls | 2017
Set in progress for "Humans" at Artist's Repertory Theater | Director: Dámaso Rodríguez, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards aging/texturizing and painting the scrim | 2017
Set in progress for "Humans" at Artist's Repertory Theater | Director: Dámaso Rodríguez, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards aging the walls | 2017
"Humans" at Artist's Repertory Theater | Director: Dámaso Rodríguez, Scenic Designer: Megan Wilkerson, Charge Scenic: Sarah Kindler | Featuring my contributions towards scenic painting: priming, aging, and texturizing | 2017
Set in progress of "Water by the Spoonful" and "The Happiest Song Plays Last" at Profile Theater | Director: Hosh Hecht, Scenic Designer: Peter Ksander, Charge Scenic: Sarah Kindler | Featuring my contributions towards scenic painting: wood finish | 2017
Set in progress of "Water by the Spoonful" and "The Happiest Song Plays Last" at Profile Theater | Director: Hosh Hecht, Scenic Designer: Peter Ksander, Charge Scenic: Sarah Kindler | Featuring my contributions towards scenic painting: steel finish | 2017
Set in progress of "Water by the Spoonful" and "The Happiest Song Plays Last" at Profile Theater | Director: Hosh Hecht, Scenic Designer: Peter Ksander, Charge Scenic: Sarah Kindler | Featuring my contributions towards scenic painting: wood finish | 2017
Set in progress of "Water by the Spoonful" and "The Happiest Song Plays Last" at Profile Theater | Director: Hosh Hecht, Scenic Designer: Peter Ksander, Charge Scenic: Sarah Kindler | Featuring my contributions towards scenic construction | 2017
"Almost Maine" close-up at Linfield College | Director: Thomas Gressler, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards backdrop construction and painting | 2016
"Almost Maine" close-up at Linfield College | Director: Thomas Gressler, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards backdrop construction and painting | 2016
"Almost Maine" close-up at Linfield College | Director: Thomas Gressler, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards prop creation | 2016
"Almost Maine" close-up at Linfield College | Director: Thomas Gressler, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards stage construction | 2016
"Almost Maine" close-up at Linfield College | Director: Thomas Gressler, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards stage painting | 2016
"Almost Maine" at Linfield College | Director: Thomas Gressler, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards stage painting and backdrop construction | 2016
Set in progress of "Tempest" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards stage/scaffold construction | 2015
Set in progress of "Tempest" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards prop creation: recycled material mobiles and bottle curtains | 2015
"Tempest" close-up at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards floor painting | 2015
Set in progress of "Tempest" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards prop creation: recycled material mobiles and bottle curtains | 2015
Set in progress of "Family Business" at Linfield College | Director: Janet Gupton, Scenic Designer: Ty Marshall, Scenic Charge: Rob Vaughn | Featuring my contributions towards stage construction and wall facades | 2015
"Family Business" close-up at Linfield College | Director: Janet Gupton, Scenic Designer: Ty Marshall, Scenic Charge: Rob Vaughn | Featuring my contributions towards stage construction and wall facades | 2015
"Family Business" close-up at Linfield College | Director: Janet Gupton, Scenic Designer: Ty Marshall, Scenic Charge: Rob Vaughn | Featuring my contributions towards stage construction and wall facades | 2015
"Family Business" close-up at Linfield College | Director: Janet Gupton, Scenic Designer: Ty Marshall, Scenic Charge: Rob Vaughn | Featuring my contributions towards stage construction and wall facades | 2015
"Family Business" close-up at Linfield College | Director: Janet Gupton, Scenic Designer: Ty Marshall, Scenic Charge: Rob Vaughn | Featuring my contributions towards stage construction and wall facades | 2015
"Family Business" at Linfield College | Director: Janet Gupton, Scenic Designer: Ty Marshall, Scenic Charge: Rob Vaughn | Featuring my contributions towards stage construction, wall facades, and stage painting | 2015
"Family Business" at Linfield College | Director: Janet Gupton, Scenic Designer: Ty Marshall, Scenic Charge: Rob Vaughn | Featuring my contributions towards stage construction, wall facades, and stage painting | 2015
"Neighborhood 3: Requisition of Doom" close-up at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards light install | 2014
Full set of "Neighborhood 3: Requisition of Doom" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring my contributions towards proscenium construction as well as stage painting of floor design | 2014
Full set with lighting of "Neighborhood 3: Requisition of Doom" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Featuring collaborative work | 2014
Arch construction for "Importance of Being Earnest" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Kristeen Willis, Technical Director: Rob Vaughn | Featuring contributions towards painting and construction | 2014
Welding work for "Importance of Being Earnest" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Kristeen Willis, Technical Director: Rob Vaughn | Featuring my contributions towards MIG welding and grinding | 2014
Foam carving for "Ajax in Iraq" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | 2013
Stone wall for "Ajax in Iraq" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Finished stone wall featuring my contributions to the team's work of paint texturing and foam carving | 2013
Full set of "Ajax in Iraq" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Final set with teamwork on construction, texturizing, and painting, with my focus on walls and columns | 2013
Full set with lighting of "Ajax in Iraq" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Final set with teamwork on construction, texturizing, and painting | 2013
"Ajax in Iraq" at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Final set with teamwork on construction, texturizing, and painting, with my focus on walls and columns | 2013
"Ajax in Iraq" close-up at Linfield College | Director: Janet Gupton, Scenic Designer & Scenic Charge Artist: Ty Marshall, Technical Director: Rob Vaughn | Final set with teamwork on construction, texturizing, and painting | 2013